Wednesday, April 20, 2011

[HvEXAS] iEAR Presents: Dancing for Dara

(Please send this out far + wide - a great night of film+video for a great/important cause!)


Dancing for Dara
West Hall Auditorium
Rensselaer Polytechnic Institute, Troy, NY
Wednesday, April 27, 2011, 7:00 - 9:00 PM
Suggested donation $5 - $10 (or more!)

Description: http://www.arts.rpi.edu/files/4302/w/lt480

Image credit: Ben Coonley, One Trick Pony. Image courtesy Video Data Bank

Video Data Bank has assembled a video program composed of work by internationally-recognized artists who believe that art and other forms of expression can be a means toward a more equitable society.  This program has screened in cities across the country over the last months receiving much acclaim.  The works range from the documentation of creative street actions to fictionalized histories and experimental documentaries.  This collection of work illustrates how contemporary video serves as an important site for creative approaches to politics and extremely serious fun.  In some ways, this video program embodies the sentiment that if there isn't dancing during the revolution, we don't want to join in.  Come join us for Dancing for Dara, a screening composed of beautiful, radiant things that shine in the face of exploitation, incarceration, illness, environmental destruction, and prejudice. 

If you want to support Dara but cannot attend this event, please visit: HealDaraG.org

This program is a benefit screening for Dara Greenwald, video artist, E-ARTS PhD student, and activist, who is currently battling cancer.  Through her work, she has met and befriended hundreds of people working in the creative and activist communities over the years.  The artists assembled in this program are only a few of the friends that are coming together to help Dara and her partner, Josh MacPhee, get through this very difficult time.  The enthusiasm and dedication of her community is a testament to her generous spirit, her sense of humor, and how important she is to us as a friend, organizer, and fellow-artist. 

ALL proceeds from this program will go directly to Dara to help her in her battle with cancer.  Unable to work during her treatments, these funds will help to pay Dara's medical expenses not covered by her insurance, her daily living expenses, and enable Josh to take more time off of work to be a full-time caregiver. 

+ For more information about Dara's art and curatorial work: http://www.daragreenwald.com/

+ For more information about how to help Dara: http://healdarag.org/about/

Tuesday, April 19, 2011

[HvEXAS] EMPAC | Summer Workshops in Music and Audio

 

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EMPAC
EMPAC
Composer Hans Tutschku in residence at EMPAC - photo by Natt Phenjati

EMPAC – the Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute in Troy, NY – offers two unique one-week workshops this summer, each suited for advanced undergrads, graduate students, and professionals:

Composing for Large Scale Multi-Channel Loudspeaker Environments offers the opportunity to work in a very large 24-channel speaker set-up plus two "smaller" rigs (16 and 8 channels) while studying with Hans Tutschku (Harvard), one of the foremost composers for such configurations. This is a workshop with an emphasis on hands-on work, as well as discussion of participants' pieces, aesthetics, and technology. June 5 – 10, 2011

Physical Modeling for Digital Audio Workstation Plug-ins is your chance to get an introduction on using computers to generate physical models of analog audio circuits with plug-in guru David Amels (Bomb Factory) as instructor. Participants will work together to reverse engineer and model the Shure Level-Loc (limiter/compressor unit) with a Shure SM57 microphone attached – and then integrate it as functional VST plug-in. The best way to learn with an expert in the field! July 18 – 23, 2011

For more information: http://empac.rpi.edu/workshops/



EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

EMPAC Box Office:
518.276.3921

Plan your visit to EMPAC! Get directions, maps, parking info, and a visitors guide.

Our mailing address is:
EMPAC
Rensselaer Polytechnic Institute
110 8th Street
Troy, NY 12180

Add us to your address book

Copyright © 2011 EMPAC
All rights reserved.



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Monday, April 18, 2011

[HvEXAS] Graham Parker | Part IV: Delinquents

 

Graham Parker: The Confidence Man
Part IV of IV

Delinquents

On April 19, 1965 Electronics Magazine published a paper by Gordon Moore in which he made a prediction about the semiconductor industry — claiming that the number of transistors on a chip will double roughly every two years. Moore's Law as it came to be known, has become a shorthand for the rate of technological progress.

The quote on the receipts above is part of a mailed response to a visitor to The Confidence Man who questioned Graham Parker about his use of the term "delinquency" in relation to his work.

Like Graham Parker | Part IV: Delinquents on Facebook
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Graham Parker has long been interested in spectrality — the concealing of one set of operations behind the appearance of another. Most of the work in The Confidence Man is united by an interest in presenting objects that have the look or texture of something recognizable (a newspaper, a neon sign, an ATM, a documentary…) but which at second glance have crucial elements missing or distorted, so that our "confidence" in them is undermined.

March 21 – April 30, 2011

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