Tuesday, January 31, 2012

[HvEXAS] Tethered: Vertical Performance | Sat. 02/04, 7 PM

 

THIS WEEK: Tethered: Vertical Performance SAT 2/4
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Tethered: Vertical Performance
Tethered: Vertical Performance Rodrigo Pardo + Bárbara Foulkes
SATURDAY, FEBRUARY 4, 7 PM
FREE

Two divergent artist-in-residence performances navigate vertical space through the tale of a man who slowly realizes he is living upside down, and a dance study of falling and floating that plays with perspective, time, and reality.
John D. Barrow: Better Than A Thousand Words
John D. Barrow: Better Than A Thousand Words
WEDNESDAY, FEB 8, 6 PM
FREE

The famed physicist will discuss the observer effects principle and the impact of images on the development of science throughout history.

Campus Events

CONCERT
Jonathan Chen: Solo Concert
THURS, FEB 09, 7 PM

Detail View: Zbigniew Oksiuta
Detail View: Zbigniew Oksiuta Form, Processes, Consequences
TUESDAY, FEB 14, 12 PM
FREE

Can life processes, which normally take place on the scale of proteins, acids, and saccharides, happen on a large scale?

Recent News

A report from Sundance by Donna K, who co-produced Brent Green's To Many Men Strange Fates Are Given.

Also at Sundance...

Paul Abacus on the streets of Park City
Watch the Video
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Abacus is a commission created by Early Morning Opera for Filament in 2010. The performance—which rides the wave of TED talk fanaticism and media technology—just sold out three shows at Sundance, and will stop next at REDCAT in L.A. this February.



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Photo Credits: Andrea Dudla; Cosmic Imagery: Key Images in the History of Science; H.W. Acquistapace, Meppen; Twist, Germany (2006).

EMPAC 2011-2012 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.


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