PERFORMANCE Jaroslaw Kapuscinski: Catch the Tiger! Saturday, April 16, 8:30 PM $15/10/5 Intermedia composer and pianist Jaroslaw Kapuscinski creates lighthearted and fanciful pieces in which musical instruments are used to control multimedia content. In these media compositions, he controls projections of videos and computer-generated graphics as he plays piano. The images, words, and music combine to entertain, but also provide insight into the artistic relationship between words and music. The witty integration of his virtuosic piano playing combined with a precisely timed flow of images informs his latest work, Where is Chopin?, in which he plays excerpts from Chopin's 24 Preludes in conjunction with videos of people in various countries listening. VIDEO: Where is Chopin?. » More Information SOON Paparoa (New Zealand), 2004 - image courtesy of the artist PERFORMANCE Francisco Lopez: Hyper-Rainforest Friday-Saturday, April 28-30, 8 PM $15/10/5 TALK + DINNER Maxine Sheets-Johnstone: Movement and Mirror Neurons: A Challenging and Choice Conversation Observer Effects: Conversations in Art & Science Wednesday, May 4, 6 PM FREE ON VIEW EXHIBITION Graham Parker: The Confidence Man Monday, March 21 – Saturday, April 30 Parker's new film and audio work, made while in residence at EMPAC, explores manifestations of deception including hacked ATM machines, rogue WIFI networks, monologues drawn from spam emails, and a tribute to the 1973 film The Sting. Free and open to the public Monday through Saturday, noon to 6 PM. » More Information NEWS HOOP (2010) - photo by Donald Robitaille The DANCE MOViES Commission 2011-2012 proposal submission deadline is coming up fast! April 18 is next week, so submit your proposal now! | | EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions. | | | |
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